Luciano Emmer, who died in the Gemelli hospital in Rome 91 years, partly by art, cinema and public meetings before returning to the art where he started. Born in Milan 19 January 1918, already a student he founded with his friend Enrico Gras a production company that produces mainly documentaries art. They range from paintings by H. Bosch as the 'Paradise on Earth', then drops to Giotto, Leonardo, Goya and Picasso. Documentaries that are now noted for beauty and rhythm and it soon led to the big screen. His film debut was in 1950 with 'Sunday in August humorous and sentimental film cut between neorealism and comedy of manners. Then there's' Paris' always have Paris' and 'Girls in Piazza di Spagna' by Lucia Bosé and 'Third high school', all as part of neorealism. And this up to 'The Girl in the window' in 1960 (one of the films the subject of a retrospective dedicated to him at the Film Festival of Venice) with Marina Vlady and Magali Noel. Scene of two miners in Belgium who spend a weekend with two Dutch girls who work as prostitutes in the street of the shop windows of Amsterdam, which came to film censorship Democrats who imposed cuts, changes to the dialogue and to ban children under 16 years. After this film Emmer leaves the big screen for decades before returning in 1990 with 'Enough! We do a film ', followed by' A Long Long Long Night of Love (2001) and 'Water ... Fire (2003) starring Sabrina Ferilli. But the most famous work is undoubtedly of Emmer and advertising. That is the term cult as that of the first carousel, that, so to speak, with entr'actes that opened one after another. Among the many commercials that he signed and which have found a welcome note in Carousel, that of Walter Chiari ('I only called yoga), that of Charles Dapporto (Durban's) and Dario For ('Supercortemaggiore, the powerful Italian petrol). His latest work, 'Masolino' of 2008: a short film art. Filmed in the village of Castiglione Olona, \u200b\u200bthis documentary tells the story of all the most significant among those who Masolino must have gone through and seen in his living room Castiglione: from the banks of the river to the mills, to the stone bridge that crosses the Olona.
Source (Ansa)
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